"If you want to teach people a new way of thinking, don't bother
teaching them. Instead, give them a tool, the use of which will lead
to new ways of thinking."
- Buckminster Fuller
DanZan Ryu training is conveyed through
a series of carefully composed lists of techniques. Each list encompass
the basic essence of certain
skills one needs to master. These are also referred to as ‘boards’ of
kata techniques. The first five lists are taught below black belt level:
Yawara (basic holds and escapes), Nage (basic throws), Shime (basic
ground techniques), Oku (deeper combination techniques), basic kicks,
strikes and parries; and Goshin Jitsu (basic self-defense techniques).
The remaining lists, taught to blackbelts only, include advanced combination
techniques; defenses against gun, knife, staff and sword; iron fan
and stick arts; advanced kicks and strikes; resuscitation techniques
(kappo) and a complete system of restorative massage techniques.
Including the basic falling techniques (sutemi
wasa), basic strikes,
parries and kicks the lists taught below Black Belt level are:
- Yawara:
basic hand techniques
- Nage:
basic throwing techniques
- Shime:
basic mat techniques
- Oku:
advanced combination techniques
- Goshin
Jitsu: basic applied self-defense techniques
The importance of good posture and good footwork
can not be overemphasized. As the old masters used to say: when posture
is perfect, the movement
that follows is perfect too. Without good posture a technique lacks
a certain quality. “If you don’t have good posture, your
practice will be like a lame horse trying to pull a cart.”
 
“First we form our habits. Then our habits
form us.”
To avoid overwhelming and confusing the beginner
with the multitude of self-defense techniques, in JuJitsu we use one
basic way of performing each and every technique. This basic way is
referred to as the “Kata” or form. There are an infinite
number of ways to perform a technique and its practical applications.
Yet, by establishing basic forms (katas) certain physical principles
necessary for learning self-defense can be taught most efficiently
to a wide range of students, while serving as a basis of common understanding.
Most importantly the concept being taught and used will remain intact
over time with minimal distortion.
Practicing Kata is like practicing a meditation
to perfect the elements of a technique (also called an “art”).
The concepts of certain elements remain the same from art to art and
must only be adapted to that particular art. Breathing must be perfect,
full of Ki, abdominal, relaxed and methodical. The timing of the stages
of breathing are adapted to each art so as to provide maximum effectiveness.
Yet if the breathing is too mechanical, done by rote, effectiveness
will be lost because there is insufficient flow with the current situation.
So - in our practice we study the specific - we will move just so,
breathe just so, feel just so, follow exactly this pattern; over and
over and over - seeking perfection of form and action, inner being
and outer world, motion and stillness. We will never end our study
of the specific - since from this study come certain habits of motion
and attitude which are the foundation of effective self-defense.
Once a student achieves this understanding it
can be used to experiment, to find variations - which leads to realizing
certain generalizations that help to achieve a more in-depth understanding
of the underlying elements of the Martial Arts, of life - of eternity.
This is the underlying teaching philosophy that
has been practiced and perfected as part of a centuries old tradition.
Although it is one of many paths, it has been retained for one simple
reason: it has been tested over and over and has been found to work!

“Appreciation is what makes the good qualities
in others our own.”
Most of what we learn in JuJitsu
is learned while practicing with another person. The person executing
a technique is called "Tori", and the person on whom the
technique is applied is called "Uke". When practicing on
the mat, Tori and Uke are an interdependent pair that help each other
in learning the techniques. It is important to develop a certain harmony
between Tori and Uke, while retaining a state of mental vigilance.
When a technique is practiced as
a basic form, Uke supports Tori's actions to promote learning. When
practicing applications of these techniques, Uke teaches Tori by gradually
taking advantage of Tori's mistakes.
One will never learn to flow when
one has to learn under pressure and anxiety, because that kind of training
makes one defensive (although pressure can be used to test if one flows).
One can not be a good martial artist when one is defensive (to some
extent one good criteria to determine a good style, may be whether
it creates non-defensive individuals).
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